Flourishes of carved stone like icing across the 1660s facade of this church, dedicated to Moses, make it appear positively lickable, although 19th-century architecture critic John Ruskin found its wedding-cake appearance indigestible. From an engineering perspective, Ruskin had a point: several statues had to be removed in the 19th century to prevent the facade from collapsing under their combined weight.
The remaining statuary by Flemish sculptor Heinrich Meyring (aka Merengo in Italian) includes scant devotional works but a sycophantic number of tributes to church patrons. Among the scene-stealing works inside are Tintoretto’s Washing of the Feet, in the chapel to the left of the altar, and Palma il Giovane’s The Supper, facing it.