The crown jewel of Schleissheim's palatial trio is the Neues Schloss Schleissheim. This pompous pile was dreamed up by Prince-Elector Max Emanuel in 1701 in anticipation of his promotion to emperor. It never came. Instead he was forced into exile for over a decade and didn't get back to building until 1715. Cash-flow problems required the scaling back of the original plans, but given the palace's huge dimensions and opulent interior, it's hard to imagine where exactly the cuts fell.
Some of the finest artists of the baroque era were called in to create such eye-pleasing sights as the ceremonial staircase, the Victory Hall and the Grand Gallery. There are outstanding pieces of period furniture, including the elector's four-poster bed, intricately inlaid tables, and a particularly impressive ceiling fresco by Cosmas Damian Asam.
The palace is home to the Staatsgalerie (State Gallery), a selection of European baroque art drawn from the Bavarian State Collection, including works by such masters as Peter Paul Rubens, Anthony van Dyck and Carlo Saraceni. The most impressive room here is the Grand Galerie.